| Dutch portrait & figure painters |
| Frans Hals Frans Hals (1584-1666) was born in the city of Haarlem. Rembrandt surpassed Hals only in 1 respect, the romanticism of his light-effects. Hals was his equal in every quality. |
| Rembrandt van Ryn Rembrandt (1606-1669) was born in Leiden. His world famous paintings show show strong contrasts of light and shade, with the dark predominating.
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| Dutch genre painters |
| Adriaen van der Werff Adriaen van der Werff (1659-1722). Italian and French influences become apparent the time period he lived in, as can be seen in his work. |
| Adriaen van Ostade Adriaen van Ostade (1610-1685). He became a fellow pupil with the Flemish Adriaan Brouwer in the Hals studio. His paintings are mostly taken from ordinary peasant life. |
| Caspar Netscher Netscher (1639-1684) became very popular as a painter of the upper classes. He was a pupil of Gerard Terborch. |
| Cornelis Troost Troost (1697-1750) was the last genre painter. His colour is bright, but his painting leaves much to be desired. His work gives, however, a clear insight of 18th century manners. |
| Frans van Mieris Van Mieris (1635-1681) was a pupil of Gerard Dou. His works are generally of small size; the subjects, taken from everyday life, display great perception of character. |
| Gabriel Metsu Metsu (1630-1667) was a pupil of Rembrandt. His work shows him to have been an impressionable character. Metsu was born in the city of Leiden. |
| Gerard Dou Dou (1613-1675) was a pupil of Rembrandt. The subjects of his tiny masterpieces and the exquisite finish of their details completely captivated the taste of the public of his day. |
| Gerard Terborch Terborch (1617-1681) was born in the city of Zwolle in an aristocrat family. He painted mostly the elegant manners of the beau-monde. |
| Jan Steen Steen (1626-1679), with Hals and Ruisdael, is 1 of the 3 who fill the second step below Rembrandt's supremacy. Jan Steen painted mostly plain people and their lives. |
| Johannes Vermeer Vermeer (1632-1675) was born in Delft. He is original in the manner in his paintings in which he bathes his interiors in a diffused silvery light. |
| Nicolaas Maes Maes (1632-1693). While the portraits which he executed in his later years are excellent, he shows himself at his best in his earlier work, soon after he left his master Rembrandt. |
| Pieter de Hooch De Hooch (1630-1677) must be ranked with Maes and Vermeer. In his paintings he aimed to introduce different light effects through open doors and windows. |
| Dutch landscape painters |
| Adriaen van de Velde Van de Velde (1635-1672) was born in Amsterdam. This painter was equally proficient in painting landscape, coast views, domestic animals, and human figures. |
| Albert Cuyp Albert Cuyp (1620-1691) excelled in landscape painting. The calm, and brightly lighted countryside, the atmospheric effect of hazy mornings. |
| Allert van Everdingen Van Everdingen (1621-1675) studied in Haarlem and devoted himself to landscape, he painted also sea pieces and storms, representing waves with awful fidelity. |
| Filips Koninck Koninck (1619-1688) was born in Amsterdam. He devoted himself most to landscape. He received from his master Rembrandt that prepossession for distance and perspective. |
| Hendrik Avercamp Avercamp (1585-1663), a deafÂmute, early showed his artistic talents, which he developed to great proficiency to depict the populous winterscapes of Dutch canals. |
| Jacob van Ruisdael Van Ruisdael (1628-1682) was destined to be the master of landscape art. He was the discoverer that two-thirds of all landscape is sky. He was the first great skypainter. |
| Jan van der Heyden Van der Heyden (1637-1712) had a fine sense of linear and aerial perspective. The delicate minuteness of detail in his pictures is kept in subordination to the general effect. |
| Jan van Goyen Van Goyen (1596-1656) was the first to choose landscape art for itself alone. He was born in Leiden, where he received his first instructions from Van Swanenburgh. |
| Meindert Hobbema Hobbema (1638-1709), Ruisdael's pupil and friend, was neglected during his lifetime. He died poor. His landscapes are somewhat brighter in tone than his master's. |
| Pieter Molyn The London-born Pieter Molyn (1600-1661) became a member of the Guild of Haarlem in 1616, and soon was called a "konstryk schilder," an artistic painter. |